After being forced to leave the forests of the Pacific
Northwest where Ben (Viggo Mortensen), a devoted father, who raises his six
children with a rigorous physical and intellectual education away from the
society they respect but deem corrupt, the whole family is confronted with the
world which brings in each of them a different change in their perspective.
Captain Fantastic is a film that reminded me of why people make movies, why we go to the cinema, and why we love to be carried away with beautiful stories. This feature is great. It is gut-wrenchingly emotional, immensely morally complicated, and touchingly inspiring.
Captain Fantastic is a film that reminded me of why people make movies, why we go to the cinema, and why we love to be carried away with beautiful stories. This feature is great. It is gut-wrenchingly emotional, immensely morally complicated, and touchingly inspiring.
Viggo Mortensen shows us once again why he is simply one of
the greatest actors ever to live by taking on this gargantuan role and keeping
the whole film on his shoulders by doing so. The ways in which all of this
could fall apart immediately are infinite, but there is something in
Mortensen’s method that makes it come alive as vivid as possible. You believe
in everyone of these characters. They are distinguishable, they are alive, they
feel so realistic it is overwhelming.
This is one of those films where I simply did not want to
leave these characters behind, I only wanted to keep spending time in their
company. The dynamic that is established with this family is so well realized
in everyone of its aspects you are simply absorbed by it. The liveliness of the
characters takes you over and their motivations are ever so clear. The empathy
you get to have with each one of these people is moving, and thanks to some
smart decisions by Ross early on that might not convince you immediately, the
pay offs you get to have by the end hit you with a train of emotions that had
me definitely teary in the theater.
The immense moral complexity the film faces is key to the
success of each character dynamic that is developed. The reason you care so
much is because the film is making bold and valid statements and then
challenging them. It is so successful exactly because it does not go easy on
any of the issues faced. It wants to raise every point of view and give
everyone ups and downs and that is something that manages to take the audience
through an emotional journey that touches upon the widest array possible. There
are big, genuine laughs from the film and incredibly tough dramatic moments and
they all fade into one another seamlessly because of the rich and unique
characters we go along with in this journey.
There are touches of brilliance scattered around every scene
in the film. Subtle things that aren’t necessarily there to be picked up, but
that enrich this world with some real depth and give it believability.
Furthermore, there are real flaws to all of these people and, whilst some may
have more than others, the film analyzes all of them and. thanks to that, both we
and the characters manage to grow in the most complete and touching way. Then, exactly because of the moral complexity of the situation we manage also
to get moments of explosive excitement on the other end of the spectrum where we are
rooting for the characters so hard to succeed in their intent it becomes an edge-of-your-seat
experience.
The cast is stunning in this film. Everyone is playing their
role brilliantly. From Frank Langella who manages to give an unpleasant old
granddad the depth to be a sympathetic character, to Annalise Basso who has
been a great up and coming actress and graces us with yet another majestic
performance. She stood out in a cast of youngsters that still deserves
a standing ovation for their dynamic, lively, and touching work. Each one of the
kids manages to have a beautiful arc and the collection of all of them with
Mortensen’s character made for an emotional journey that was as moving
and reflective as anything I’ve seen this year.
There are a couple of little flaws in the film: I have to
admit that whilst the vast majority the style does not eclipse the
substance, and actually elevates it in its own beautiful ways, there were times
where the classic indie-feel of the documentary hand-held style camera combined
with the slightly clichéd score got on the way of the story. Moreover, towards
the resolution of the film, in the third act, whilst as beautiful as they are
and as poetic as they are, there were a couple of narrative leaps, which I
won’t spoil, that rushed some emotional beats just a little too quickly.
Take that away and what you are left with is a profoundly
moving picture that inspired me deeply and made me think as much as feel.
James' Score: 8/10
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